![]() Photocopiers, linocut prints, photographs, discarded ephemera, rubbings, found objects, and more, can all provide graphic effects and textures that are difficult to generate digitally, so designers are encouraged to think of the computer ‘as the last resort, rather than the first’. While acknowledging that computer-aided design is exceptionally apt for exploring and manipulating patterns, Jackson is keen to promote the merits of lower-tech methods. He also makes important distinctions between potentially similar looking parts within the pattern-making process – such as elements, motifs, cells and tiles – to ensure the reader is equipped with the terminology and understanding to develop their own work. The lower case letters he uses quickly reveal the near infinite potential for creative and structural play. What comes through so clearly in Jackson’s work is the potential for creativity to evolve from initially very simple forms. He also explains how to tile polygons, create complex repeats and produce wallpaper-type patterns that appear to repeat seamlessly. In addition to explaining how symmetry creates motifs and patterns, Jackson also shows how symmetry operations can be applied with endless creativity to make one type of rotational pattern, seven distinct types of linear pattern and seventeen distinct types of planar pattern. Using lowercase letterforms as basic elements, he then presents step-by-step guides to undertaking each symmetry operation, as well as showing how to combine operations together to create increasingly elaborate designs. ![]() Jackson demonstrates the four basic symmetry operations that are easy to see on the page: rotation, translation, reflection and glide reflection. We are surrounded by two and three-dimensional motifs and repeating patterns on ceilings, furnishings and other aspects of interior and exterior design.Įncouraged to draw upon his ‘strong but mostly intuitive understanding of how to use the laws of symmetry to create repeat patterns of folds’, Jackson applies his visual and tactile knowledge of symmetry within origami to explain the principles of repeat pattern making. The importance of symmetry and repeat patterns within design is evident all around us. But, as Jackson suggests, the equations can be stripped away by approaching symmetry as a visual subject that is immediately accessible to designers. Hunt.Īt the core of the book is the ‘rich and complex branch of mathematics’ known as symmetry. ![]() Paul Jackson, an origami artist and design teacher, has created a highly accessible guide to making repeat patterns that encourages playfulness, adaptation, experimentation and vital rule-breaking, writes Kevin J.
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